Pulp Fiction poster
6.8
Arcplot Score
Verified
Contributed by: EscherP

Pulp Fiction

1994154 minR

A burger-loving hit man, his philosophical partner, a drug-addled gangster's moll and a washed-up boxer converge in this sprawling, comedic crime caper. Their adventures unfurl in three stories that ingeniously trip back and forth in time.

Story Structure
Revenue$213.9M
Budget$8.0M
Profit
+205.9M
+2574%

Despite its limited budget of $8.0M, Pulp Fiction became a runaway success, earning $213.9M worldwide—a remarkable 2574% return. The film's bold vision found its audience, illustrating how strong storytelling can transcend budget limitations.

Awards

Academy Award for Best Original Screenplay. Palme d'Or at Cannes. Nominated for Best Picture, Best Director, Best Actor, Best Supporting Actor, Best Supporting Actress.

Critical Analysis★★★★

Roger Ebert

"Ebert praises the film's structure and dialogue, noting that Tarantino creates a world where criminals are funny, scary, and oddly sympathetic. He observes that the nonlinear structure serves a purpose beyond cleverness - it allows the film to be about storytelling itself and how the order of events shapes their meaning. The violence is stylized but never gratuitous, always serving character and theme. Ebert particularly notes Jules's transformation as the film's moral center."
Read Full Review
Where to Watch
NetflixAMC Plus Apple TV Channel Paramount+ Amazon ChannelParamount+ Roku Premium ChannelAMC+ Roku Premium ChannelAMC+AMCNetflix Standard with AdsAmazon VideoApple TVGoogle Play MoviesYouTubeFandango At HomeSpectrum On DemandPlex

Narrative Tropes

10 total

Plot Structure

Story beats plotted across runtime

Act ISetupAct IIConfrontationAct IIIResolutionWorldbuilding3Resistance5Premise8Opposition10Crisis12Synthesis14124679111315
Color Timeline
Color timeline
Sound Timeline
Sound timeline
Threshold
Section
Plot Point

Narrative Arc

Emotional journey through the story's key moments

0-3-6
0m37m75m112m149m
Plot Point
Act Threshold
Emotional Arc

Story Circle

Blueprint 15-beat structure

Loading Story Circle...

Arcplot Score Breakdown

Structural Adherence: Flexible
7.5/10
9.5/10
1/10
Overall Score6.8/10

Weighted: Precision (70%) + Arc (15%) + Theme (15%)

Pulp Fiction (1994) demonstrates precise narrative design, characteristic of Quentin Tarantino's storytelling approach. This structural analysis examines how the film's 15-point plot structure maps to proven narrative frameworks across 2 hours and 34 minutes. With an Arcplot score of 6.8, the film balances conventional beats with creative variation.

Characters

Cast & narrative archetypes

John Travolta

Vincent Vega

Hero
Trickster
John Travolta
Screen Time69%
Samuel L. Jackson

Jules Winnfield

Hero
Mentor
Samuel L. Jackson
Screen Time38%
Uma Thurman

Mia Wallace

Love Interest
Shapeshifter
Uma Thurman
Screen Time17%
Bruce Willis

Butch Coolidge

Hero
Bruce Willis
Screen Time33%
Ving Rhames

Marsellus Wallace

Shadow
Ving Rhames
Screen Time15%
Tim Roth

Pumpkin

Trickster
Tim Roth
Screen Time9%
Amanda Plummer

Honey Bunny

Trickster
Amanda Plummer
Screen Time9%
Harvey Keitel

Winston Wolfe

Mentor
Harvey Keitel
Screen Time9%
Maria de Medeiros

Fabienne

Love Interest
Ally
Maria de Medeiros
Screen Time10%

Character Screen Time

Screen time mapped to story structure

9 characters
Act I
Act II
Act III
0%25%50%75%100%
69%
38%
17%
33%
15%
9%
9%
9%
10%

Main Cast & Characters

Vincent Vega

Played by John Travolta

HeroTrickster

69% screen time (102 min)

A philosophical hitman recently returned from Amsterdam, tasked with entertaining his boss's wife. His heroin habit and casual attitude toward violence define his arc.

Jules Winnfield

Played by Samuel L. Jackson

HeroMentor

38% screen time (57 min)

Vincent's partner, a hitman who quotes Scripture before killing. A miraculous survival leads him to question his life of violence.

Mia Wallace

Played by Uma Thurman

Love InterestShapeshifter

17% screen time (26 min)

Marsellus Wallace's wife, a former actress with a dangerous taste for drugs. Her near-fatal overdose is the centerpiece of her story.

Butch Coolidge

Played by Bruce Willis

Hero

33% screen time (49 min)

A boxer paid to throw a fight who double-crosses the mob, then risks everything to retrieve his father's watch.

Marsellus Wallace

Played by Ving Rhames

Shadow

15% screen time (22 min)

A powerful crime boss whose presence looms over all three stories. He's betrayed by Butch and suffers a horrific ordeal.

Pumpkin

Played by Tim Roth

Trickster

9% screen time (14 min)

A small-time robber whose diner heist bookends the film. His confrontation with Jules becomes a moment of unexpected grace.

Honey Bunny

Played by Amanda Plummer

Trickster

9% screen time (14 min)

Pumpkin's volatile girlfriend and partner in crime. Her hysteria during the robbery escalates the tension.

Winston Wolfe

Played by Harvey Keitel

Mentor

9% screen time (13 min)

A legendary fixer called in to clean up messy situations. His calm efficiency and sharp suits embody cool professionalism.

Fabienne

Played by Maria de Medeiros

Love InterestAlly

10% screen time (15 min)

Butch's devoted French girlfriend whose forgetfulness sets the gold watch sequence in motion.

Structural Analysis

The Status Quo at 0 minutes (0% through the runtime) establishes CARRIER: Pumpkin & Honey Bunny. Two small-time criminals sit in a Los Angeles diner, debating the safest type of robbery. Their conversation is charming, romantic even—then suddenly they kiss, pull guns, and freeze on their moment of "triumph." Violence as casual calculation. Crime as lifestyle choice, not moral crisis. This is the world BEFORE transformation.. Notably, this early placement immediately immerses viewers in the story world.

The inciting incident occurs at 15 minutes when CARRIER: Jules/Vincent. The interrogation begins at Brett's apartment. "Let me take a wild guess here. You're Brett, right?" Jules begins the Big Kahuna Burger intimidation routine. The job crosses the point of no return—they're committed to violence. This external event sets everything in motion: the execution, the miracle, the diverging fates.. At 10% through the film, this Disruption aligns precisely with traditional story structure. This beat shifts the emotional state to -1, launching the protagonist into the central conflict.

The First Threshold at 28 minutes marks the transition into Act II, occurring at 18% of the runtime. This shows the protagonist's commitment to CARRIER: Vincent. Vincent buys heroin from Lance, preparing for his date with Mia Wallace. He's committed to this dangerous assignment—taking the boss's wife out, knowing what happened to Tony Rocky Horror. THE UPSIDE-DOWN WORLD: Vincent enters Act II alone. Without Jules's philosophical counterweight, he makes increasingly bad decisions. The heroin he buys will nearly kill Mia., moving from reaction to action. The emotional journey here reflects -1.

At 75 minutes, the Midpoint arrives at 49% of the runtime—precisely centered, creating perfect narrative symmetry. Of particular interest, this crucial beat CARRIER: Butch. FALSE DEFEAT BECOMES TRUE STAKES. Butch has escaped with the money, but Fabienne tells him she forgot to pack his father's gold watch. "It's not just a watch. It was on your daddy's wrist when he was shot down." Butch MUST go back. The watch represents his father's legacy, his honor code, everything that makes him more than just a criminal. He CHOOSES to risk his life for what matters. The turn: from running away to running toward. From survival to honor., fundamentally raising what's at risk. The emotional state shifts to -1, dividing the narrative into clear before-and-after phases.

The Collapse moment at 112 minutes (73% through) represents the emotional nadir. Here, CARRIER: Jules. WORLDVIEW DEATH. "We should be fuckin' dead, man." The Bonnie Situation shows us what happened AFTER Brett's apartment (shown LATE in presented order). A hidden assailant fired at Jules and Vincent from point-blank range with a hand cannon. Every bullet missed. Vincent: "We was lucky." Jules: "That shit wasn't luck. This was divine intervention." Jules can no longer dismiss what happened. Either his entire worldview is wrong, or God intervened. His certainty is shattered., indicates the protagonist at their lowest point with -3. This beat's placement in the final quarter sets up the climactic reversal.

The Second Threshold at 117 minutes initiates the final act resolution at 76% of the runtime. CARRIER: Jules. SYNTHESIS—THE DECISION. "You wanna play blind man, go walk with the shepherd, but me, my eyes are wide fuckin' open." Vincent challenges. Jules responds: "That's it for me. From here on in, you can consider my ass retired." THE DECISION IS MADE HERE—in the car, not the diner. Jules has synthesized what he learned: the miracle was real, Vincent's path leads to death, the Ezekiel passage is a call. Immediately after: Marvin is shot in the face, testing Jules's resolve. He doesn't waver., demonstrating the transformation achieved throughout the journey. The emotional culmination reaches 1.

Emotional Journey

Pulp Fiction's emotional architecture traces a deliberate progression from -1 to 2. The narrative's emotional pivot at the midpoint—-1—divides the journey into distinct phases, with the first half building toward this moment of transformation and the second half exploring its consequences. With 5 core emotional states, the narrative maintains focused emotional clarity, allowing sustained thematic development.

Narrative Framework

This structural analysis employs structural analysis methodology used to understand storytelling architecture. By mapping Pulp Fiction against these established plot points, we can identify how Quentin Tarantino utilizes or subverts traditional narrative conventions. The plot point approach reveals not only adherence to structural principles but also creative choices that distinguish Pulp Fiction within the thriller genre.

Quentin Tarantino's Structural Approach

Among the 11 Quentin Tarantino films analyzed on Arcplot, the average structural score is 4.6, showcasing experimental approaches to narrative form. Pulp Fiction represents one of the director's most structurally precise works. For comparative analysis, explore the complete Quentin Tarantino filmography.

Comparative Analysis

Additional thriller films include Eye for an Eye, Lake Placid and Operation Finale. For more Quentin Tarantino analyses, see Reservoir Dogs, Death Proof and Django Unchained.

Plot Points by Act

Act I

Setup
1

Status Quo

0 min0.3%-1 tone

CARRIER: Pumpkin & Honey Bunny. Two small-time criminals sit in a Los Angeles diner, debating the safest type of robbery. Their conversation is charming, romantic even—then suddenly they kiss, pull guns, and freeze on their moment of "triumph." Violence as casual calculation. Crime as lifestyle choice, not moral crisis. This is the world BEFORE transformation.

2

Theme

12 min8.0%-1 tone

CARRIER: Vincent/Jules. The foot massage debate. Vincent: "Foot massages don't mean shit!" Jules counters that touching Marsellus Wallace's wife "in a familiar way" absolutely means something—context creates meaning. THE THEME: Do actions have inherent meaning, or is meaning something we choose to see? This question determines who lives and who dies. Vincent will dismiss the miracle as "a freak occurrence" and die. Jules will see divine intervention and live.

3

Worldbuilding

0 min0.3%-1 tone

CARRIERS: Pumpkin & Honey Bunny → Jules & Vincent. We meet the world: Professional hitmen who discuss pop culture between murders. Royale with Cheese. The mysterious glowing briefcase. Marsellus Wallace's unseen power. The casual brutality of this life. Key elements planted: Jules's Ezekiel passage (used as intimidation), Vincent's dismissiveness ("chill, this shit happens"), the hierarchy of criminal power.

4

Disruption

15 min10.0%-2 tone

CARRIER: Jules/Vincent. The interrogation begins at Brett's apartment. "Let me take a wild guess here. You're Brett, right?" Jules begins the Big Kahuna Burger intimidation routine. The job crosses the point of no return—they're committed to violence. This external event sets everything in motion: the execution, the miracle, the diverging fates.

5

Resistance

15 min10.0%-2 tone

CARRIERS: Jules → Vincent (baton passing). The execution unfolds. Jules recites Ezekiel 25:17 as "cold-blooded shit to say before you pop a cap in his ass"—hollow intimidation. Brett and friends killed. Cut to: Marsellus Wallace's back, talking to Butch about throwing the fight. The criminal world's hierarchy established. Vincent prepares to take Mia out—the dangerous assignment that will test him.

Act II

Confrontation
6

First Threshold

28 min19.0%-3 tone

CARRIER: Vincent. Vincent buys heroin from Lance, preparing for his date with Mia Wallace. He's committed to this dangerous assignment—taking the boss's wife out, knowing what happened to Tony Rocky Horror. THE UPSIDE-DOWN WORLD: Vincent enters Act II alone. Without Jules's philosophical counterweight, he makes increasingly bad decisions. The heroin he buys will nearly kill Mia.

7

Mirror World

33 min22.1%-3 tone

CARRIERS: Vincent & Mia. The Jack Rabbit Slim's date begins. They discuss uncomfortable silences, Vincent's Europe trip, the failed TV pilot "Fox Force Five." They dance the twist, win the trophy. Connection forms between two people navigating the same dangerous world. But this isn't a love story—it's a cautionary tale. Vincent faces consequences (Mia's overdose) but doesn't learn.

8

Premise

28 min19.0%-3 tone

CARRIERS: Vincent → Butch. PROMISE OF THE PREMISE—Tarantino's style in full effect. (1) Vincent/Mia segment: $5 shake, twist contest, then Mia finds Vincent's heroin, mistakes it for cocaine, overdoses. Frantic drive to Lance's, adrenaline shot to the heart. She survives; Vincent goes home unchanged. (2) "The Gold Watch": Captain Koons delivers young Butch's birthright—the watch his father hid for years in a Vietnamese prison camp. Butch wakes up victorious, having won the fight he was supposed to throw.

9

Midpoint

75 min50.3%-4 tone

CARRIER: Butch. FALSE DEFEAT BECOMES TRUE STAKES. Butch has escaped with the money, but Fabienne tells him she forgot to pack his father's gold watch. "It's not just a watch. It was on your daddy's wrist when he was shot down." Butch MUST go back. The watch represents his father's legacy, his honor code, everything that makes him more than just a criminal. He CHOOSES to risk his life for what matters. The turn: from running away to running toward. From survival to honor.

10

Opposition

75 min50.3%-5 tone

CARRIERS: Butch → Jules. Butch returns to his apartment, kills Vincent on the toilet (we already know this; we saw it coming). Escapes, hits Marsellus with his car, chased into a pawn shop, both men captured by sadistic rapists Maynard and Zed. Butch escapes. He could flee—no one would blame him. Instead: hammer, baseball bat, chainsaw, samurai sword. He chooses the sword. Goes back down. Saves Marsellus Wallace—his enemy. Marsellus, freed: "We're cool." THEN: "THE BONNIE SITUATION" title card. Baton returns to Jules.

11

Collapse

112 min75.5%-5 tone

CARRIER: Jules. WORLDVIEW DEATH. "We should be fuckin' dead, man." The Bonnie Situation shows us what happened AFTER Brett's apartment (shown LATE in presented order). A hidden assailant fired at Jules and Vincent from point-blank range with a hand cannon. Every bullet missed. Vincent: "We was lucky." Jules: "That shit wasn't luck. This was divine intervention." Jules can no longer dismiss what happened. Either his entire worldview is wrong, or God intervened. His certainty is shattered.

12

Crisis

112 min75.5%-5 tone

CARRIER: Jules (with Vincent as foil). Ninety seconds of reckoning. "That means God came down from Heaven and stopped the bullets." / "That's right. That's exactly what it means." Vincent refuses to engage: "Yeah, maybe. Can we go now?" Jules insists: "What just happened was a fuckin' miracle!" Vincent dismisses: "Chill. This shit happens." The two men who experienced the same event reach opposite conclusions. One will live. One will die.

Act III

Resolution
13

Second Threshold

117 min78.2%-4 tone

CARRIER: Jules. SYNTHESIS—THE DECISION. "You wanna play blind man, go walk with the shepherd, but me, my eyes are wide fuckin' open." Vincent challenges. Jules responds: "That's it for me. From here on in, you can consider my ass retired." THE DECISION IS MADE HERE—in the car, not the diner. Jules has synthesized what he learned: the miracle was real, Vincent's path leads to death, the Ezekiel passage is a call. Immediately after: Marvin is shot in the face, testing Jules's resolve. He doesn't waver.

14

Synthesis

117 min78.2%-4 tone

CARRIER: Jules. The Wolf arrives to clean up Marvin—cold efficiency of the criminal world Jules is leaving. They deliver the briefcase to Marsellus. Cut to: the diner. Jules and Vincent at breakfast. Jules restates his decision: "I'm gonna walk the earth. Like Caine in Kung Fu." Vincent: "You're gonna be a bum." Pumpkin and Honey Bunny stand up—we've returned to the Opening Image. Robbery unfolds. Jules has the power to kill them easily. Instead: final Ezekiel recitation, now with UNDERSTANDING. Three interpretations, ending: "You're the weak, and I'm the tyranny of evil men. But I'm tryin', Ringo. I'm tryin' real hard to be the shepherd." Jules chooses mercy. Lets them go.

15

Transformation

149 min100.0%-3 tone

CARRIERS: Jules & Vincent. Two guys walk out of a diner after breakfast, briefcase in hand. Mundane. But we know: Vincent will die (we already saw it in Butch's bathroom). Jules will live (he chose to leave). Opening Image: Pumpkin & Honey Bunny frozen in moment of criminal "triumph"—casual violence. Final Image: Jules frozen in moment of grace—conscious mercy. The theme answered: Meaning exists when we choose to see it. That choice determines our fate.